What makes amir laugh during the fight

This is because it is like the perfect way for him to be good again. This is because from a Christian standpoint, no matter what we do or how bad we get beat up, we will always still be bad. The only way to be good again would be to let Jesus take up all of our sins thus making us perfect and good again.

This is because when I was young, I used to love to play around and do random things with the puck. One time, I screwed up while I was messing around and that led to the other team scoring a goal on my goalie. Seeing them play that sluggishly made me feel bad and I pushed myself to score a goal.

At that point I think that I felt what Amir was feeling. A feeling that now that I have done a good thing to counter the bad thing that I have done, my teammates will play better again and my team would once again perform as it used to.

But just like Amir, I was wrong. I was wrong in thinking that by just doing a right; I will be able to be good again. Only then can my team be as good as it used to be.

Once the song ends, the cleric calls Sohrab over and strokes his back. This guy is a pedophile, too. Suddenly the Talib cleric asks Amir what happened to "old Babalu " the mean neighborhood nickname for Ali. He says something about never forgetting a face. It's Assef. Amir offers to pay Assef for Sohrab. Too bad. Assef is already rich. But he does tell Amir how he joined the Taliban: some Parchami soldiers part of the socialist part who supported Soviet rule in Afghanistan arrested Assef and his father.

At the jail, a commandant would beat one of the prisoners every night. On the night he picked Assef, Assef has been trying to pass kidney stones for three days. So when the commandant kicked Assef in the ribs, he said something like "God is great.

The commandant threw Assef back in his cell. Assef gives Amir the moral of the story: God is on Assef's side and he's alive for a reason.

Amir asks if Assef's purpose in life is to rape children. There's a brief exchange between Assef and Amir about ethnic cleansing. This guy Assef is a real jerk. It's hard to describe how evil he is. Unexpectedly, Assef tells Amir he can have Sohrab. Well, Amir has to fight Assef. Assef still holds a grudge against Amir from the time Hassan pulled a slingshot on him. Assef said he'd get both Hassan and Amir — so now he wants to fight Amir. The guards leave the room at Assef's request.

Assef takes out his famous brass knuckles. Hosseini shifts — momentarily — to a scene in a hospital. Yet the bizarre coincidence also creates a situation in which Amir is able to confront the same scenario that was the source of his guilt more than twenty years earlier. From the way Assef touches Sohrab and what he says to Amir, Amir has no doubt at this point that Assef has been sexually abusing Sohrab. Because Sohrab represents a living piece of Hassan, Assef continues a figurative rape of Hassan.

But Amir is now in a position to stop this. He can do what Baba always hoped he would and stand up for what is right. As Rahim Khan put it, it is his way to be good again. In multiple instances, foreshadowing from earlier in the novel is fulfilled in these chapters. In response, Assef said he would get his revenge on Hassan and Amir both. Now, Assef has his revenge against Amir.

Representing the idea of an eye for an eye, Assef gets what he deserves. It is the punishment he deserved for his actions toward Hassan, but which he never received. It is the reason he feels relief and a sense of healing as Assef beats him, and why he begins laughing. Before he challenges Amir to a fight, Assef tells a story about the time he was imprisoned. He says he began to laugh as a guard kicked him because it ended the pain he suffered from his kidney stone.

In fact, the novel establishes a few similarities between Amir and Assef. Both Amir and Assef are Pashtuns from wealthy, well-connected families, and they shared similar upbringings. They represent a particular part of Afghan society, namely the ruling powers. In his note to Amir, Rahim Khan even tells Amir that Baba thought of him as the socially legitimate part of his life, the part that inherited wealth and with it a freedom from punishment, which made Baba feel guilty.

Hassan, on the other hand, represented the poor and oppressed part of Afghanistan. He was the illegitimate boy whom Baba wanted to love but could never love publicly. In this context, Amir and Hassan act as the different sides of their country—the rich and poor, Sunni and Shia, Pashtun and Hazara, powerful and powerless—who are nonetheless still children of the same father. In allowing Assef to rape Hassan, Amir became complicit in the domination of the powerless by the powerful. Only by intervening on behalf of Sohrab, essentially sacrificing himself as Hassan once sacrificed himself for him, does Amir redeem himself.

Through Amir, Khaled Hosseini subtly suggests that if Afghanistan is to atone for its own guilty history of violence and discrimination, it must redeem itself through a similar stand and a similar sacrifice.

It is the way for Afghanistan to be good again. Ace your assignments with our guide to The Kite Runner! SparkTeach Teacher's Handbook. What happened to Hassan in the alley?